At the final curtain call, the audience roared with delight.

Reuters

Stunning Meghan Picerno is simply brilliant... [she] employs her crystalline soprano to full effect.

Broadway World

Picerno ascended the coloratura heights of “Glitter and Be Gay” with jaw-dropping precision...

Georgia Rowe, San Francisco Examiner

Meghan Picerno brilliantly takes on the role of Christine Daae... she hits and holds notes which seem virtually unreachable.

LA Times

The revelation is Meghan Picerno, who handles [...] “Glitter and Be Gay,” with sparkling ease for a coloratura’s rollercoaster ride fit to challenge any Queen of the Night.

Jeremy Gerard, Deadline.com

Picerno steals the show... [her] high notes, exuding operatic flare, soar to the mezzanine level of the theater and beyond.

LA Daily Bruin

Picerno’s incomparable vocal range, strength and beauty is astounding.

Northwest Herald

About

Internationally acclaimed opera and Broadway star, Meghan Picerno has captivated audiences worldwide. From Broadway’s Majestic Theatre, Carnegie Hall, and Lincoln Center to London’s Royal Albert Hall, to stages across the globe spanning from Japan to Spain to Brazil, she is celebrated as one of the most dynamic sopranos of her generation, hailed by the New York Times as “dazzling” .

Handpicked by theatre legend, Hal Prince and Andrew Lloyd Webber, Meghan returned as Phantom of the Opera’s leading lady, Christine Daaé, for its historic Broadway reopening, where she was nominated as Broadway Replacement of the Decade, (Broadway World). A fan favorite, previously she delighted audiences to critical acclaim as Christine on the World Tour of Phantom, and originated the role of Christine in the U.S. Premiere/1st national tour of Love Never Dies playing to sold out houses in 41 of the US’s largest theaters across the nation, which led to a special invitation from Andrew Lloyd Webber to perform at the Classic BRIT Awards in London at the Royal Albert Hall, marking her debut with the Royal Philharmonic Orchestra. A rising star in both the worlds of Broadway and Opera, she has become one of the most sought-after Cunegondes world-wide in Bernstein’s musical masterpiece, Candide.

This summer she will make her house debut at the iconic Teatro dell’Opera di Roma. And this Spring performing to sold-out audiences in Santiago, Chile, and across China—including Shanghai, Beijing, and six major cities.

Off-Broadway/NY: Cunegonde in Candide (NYCO) Rose in From Berlin To Broadway: A Kurt Weill Revue. Regional/Opera: Marian (The Music Man), Maria (The Sound of Music), Eliza (My Fair Lady), Adele (Die Fledermaus), Queen of the Night (Die Zauberflöte), La Fée (Cendrillon), Olympia (Les contes d’Hoffmann). Concerts/performances: Royal Albert Hall London, San Francisco Symphony, Lincoln Center, David Geffen Hall, Avery Fischer Hall, Carnegie Hall, Sony Hall, The Appel Room, Jazz at Lincoln Center, Birdland Jazz, 54 Below, Green Room 42, Detroit Symphony Orchestra, Cincinnati Symphony, Marina Bay Sands Singapore, Theater Solaire Philippines, Istana Budaya Kuala Lumpur, Tel Aviv Opera House, Theatro Municipal de São Paolo Brazil, Teatro Municipal de las Condes Santiago, Chile, Gran Teatre del Liceu Barcelona, Spain, Beijing Center of Performing Arts, West Bund Theater, Shanghai, Teatro dell’Opera di Roma.

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When you have the Olympic experience of singing an opera combined with acting, it is magical. Meghan Picerno credits much of her success to her adaptability, courage, work ethic, and ability to be open to new opportunities.

Classical Singer Magazine